supported by 6 fans who also own “The Last Letters”
In Bokeh, Wil Bolton patiently crafted six tracks, where processed field recordings and reverberated synthesizers melodies are carefully balanced.
Chimes, bar-like talks, distant traffic or whispers from the wind frame the story of this release in a very small location. We are only one step away from saying that the artist takes us in his privacy with Bokeh ; and I'll go for it.
Very personal and sensitive, this album takes place behind the closed doors of Bolton's near environment.
Lovely. Dotflac
Ciani curates a fascinating and vibrant journey through modern synthesized compositions from Max Mathews, Daniela Casa & more. Bandcamp New & Notable Nov 8, 2017
supported by 5 fans who also own “The Last Letters”
This album is far beyond music, as it is almost only made from field recordings picked up in Montreal.
Distant cruising cars, murmur of an ubiquitous crowd, humming subways, sound of children or various static noises, Tim Westcott processed and mixed these sounds to create a parallel living universe from real sounds. A hidden world behind our primary vision, made aerial and imperceptible thanks to the reverberation of the sound.
A release hard to tame, but definitely rewarding in the end. Dotflac